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項目
這些建筑是由125套公寓、車庫和儲藏室組成的住宅綜合體，在項目和調(diào)試過程中，允許開發(fā)22種不同類型的公寓，既有單層公寓，也有復(fù)式公寓。該建筑群專門用于住宅用途。除了公寓，還有一個免費的公共空間和三個帶頂棚的社區(qū)空間：兒童游戲室、健身房和餐廳。
The Program
The buildings house a residential complex made up of 125 apartments, garages, and storage rooms, which during the project and commissioning process have allowed the development of 22 different types of apartments, both on a single floor and in duplex format. The complex is exclusively dedicated to residential use. In addition to the apartments, there is a free space for public use and three covered community spaces: a children's playroom, a gym, and a dining room.
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網(wǎng)站
這些建筑位于自1873年以來一直被Cornes火車站占用的地段，其中一部分被修復(fù)，現(xiàn)在是“Casa das Asociaciones”的所在地。這個老車站承載了加利西亞圣地亞哥德孔波斯特拉和卡里爾之間的第一條鐵路線。該建筑為客運服務(wù)了20年，直到1943年4月，現(xiàn)在的圣地亞哥德孔波斯特拉火車站（在另一個位置）投入使用。從那一刻起，它以圣地亞哥-科林斯的名義繼續(xù)作為商品的輔助產(chǎn)品運作了幾十年，直到20世紀(jì)末這條線被拆除。
The Site
The buildings are located on a lot occupied since 1873 by the Cornes Railway Station, part of which was rehabilitated and which today houses the "Casa das Asociaciones". This old station hosted the first railway line in Galicia between Santiago de Compostela and Carril. The building served passenger transport for two decades until the entry into service of the current Santiago de Compostela railway station (in another location) in April 1943. From that moment it continued to function for a few more decades as an auxiliary of goods under the name of Santiago-Cornes until the dismantling of the line at the end of the 20th century.
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戶外空間
該地區(qū)的城市規(guī)劃提供了三個線性塊和兩個私人自由空間的布局，作為平行帶之間的關(guān)系元素。開放空間的形式化（專門供行人使用）受其線性性質(zhì)的制約。街道比廣場更多，它們與住宅建筑的底層直接相關(guān)，由于現(xiàn)有的不均勻性，在縱向上分成兩層。因此，一個被配置為綠色走廊的平臺被創(chuàng)建，繪制了通往公寓的橫向通道，以及“通過”與周圍公園的視覺和生態(tài)聯(lián)系的縱向通道。一系列的空隙被整合到這個空間中，朝向地面以下的樓層，使立面與公寓“保持距離”，并使車庫和儲藏室的空間能夠融入更大的樹木、自然通風(fēng)和照明。通過建筑的橫向通道，釋放了橫向視野，并壓縮了建筑之間的空間。
The Outdoor
SpaceThe urban planning of the area provided a layout with three linear blocks and two private free spaces for public use as relational elements between parallel strips. The formalization of the open spaces (exclusively for pedestrian use) is conditioned by their linear nature. More streets than squares, they are raised in direct relation to the ground floors of the buildings where residential use takes place, being longitudinally fragmented into two levels as a result of the existing unevenness. Consequently, a platform configured as a green corridor is created, drawing the transversal access routes to the apartments and the longitudinal ones "through" the space in visual and ecological connection with the surrounding parks. A series of voids are incorporated into this space towards the floors below ground level, allowing the facades to be "distanced" from the apartments and enabling the incorporation of larger trees and natural ventilation and lighting of the spaces for garages and storage rooms. The set is complemented by the provision of a transversal passage through the buildings that frees up the transversal views and decompresses the space between buildings.
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建筑
該方法的前提是將高度的自然光融入公寓，并利用地塊對周圍公園和整個城市的景觀。
The Buildings
The approach is based on the premise of incorporating a high degree of natural light into the apartments and taking advantage of the views that the lot has toward the surrounding parks and the city as a whole.
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地面上的建筑包括三個長度在60到100米之間的建筑和一個12米的海灣，整個周邊都有一個懸挑。建筑樓層的總周長伴隨著一個全玻璃的圍護結(jié)構(gòu)，可以預(yù)見到周邊走廊作為所有公寓的外部空間，由外部晶格作為遮陽板劃分，過濾陽光和面向建筑之間的景色。這個外部走廊的外殼將成為定義建筑體量的表皮，選擇一個有規(guī)律分布的實體元素，配置一個由20 × 20厘米的彩色混凝土塊組成的圖案，每個圖案間隔80厘米。這種解決方案被推廣到整個立面，將其帶到一層，在那里，一系列的庭院將被配置，使對齊的圍欄保持距離，形成一個緩沖空間，為住宅提供自由的開放空間。
The constructions on the ground level consist of three buildings between sixty and one hundred meters in length and a 12-meter bay with an overhang around its entire perimeter. The total perimeter of the built floor is accompanied by a fully glazed enclosure, foreseeing the use of the perimeter corridor as an exterior space for all the apartments, delimited by an exterior lattice as a brise soleil that filters the sunlight and the views between facing buildings. The enclosure of this exterior corridor will become the skin that defines the built volume, opting for a solid element that, distributed regularly, configures a pattern of colored concrete made up of pieces of twenty by twenty centimeters in a pattern eighty centimeters apart. This solution is generalized throughout the fa?ade, taking it to the ground floor where a series of courtyards will be configured that allow the alignment enclosures to be distanced, forming a buffer space for the homes with the free space to which they open.
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考慮到從該地區(qū)的城市規(guī)劃中繼承的響亮的幾何形狀，地板統(tǒng)一為兩組石板，以最大限度地減少立面的規(guī)模。此外，它們被賦予了運動功能，在一些樓層產(chǎn)生一系列小的“轉(zhuǎn)彎”，在體量上產(chǎn)生運動，打破了原有的棱柱形包膜，減少了植入的強烈影響。最后，混凝土圍護結(jié)構(gòu)的色調(diào)被選擇，以防止建筑物在周圍單色背景中被稀釋，并賦予它們一種鐵銹色，讓人想起原始建筑的工業(yè)特征，現(xiàn)在被轉(zhuǎn)換成一個燈塔，接近孔波斯特拉擴建的西南立面。
Given the resounding geometry inherited from the urban planning of the area, the floors were unified in sets of two slabs to minimize the scale of the facades. In addition, they are endowed with movement, generating a series of small "turns" of some floors creating a movement in the volumetry that breaks the 900 prismatic envelope, reducing the strong impact of the implantation. Finally, the tinting of the concrete envelope was chosen to prevent the buildings from being diluted in the surrounding monochrome background and giving them a ferruginous color that recalls the industrial character of the 900 building, now converted into a beacon approaching the southwest fa?ade of the Compostela expansion.
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項目圖紙
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▲剖面圖
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